
Drypoint print with Chiné-Colle technique.
A blog about Stockport landmarks by artist/printmaker Neil Robinson which follows a printmaking project depicting the diverse architectural styles of my hometown both new and old.

Drypoint print with Chiné-Colle technique.


Attended the exhibition previews of Liam Spencer and Prospect Printmakers on Saturday 21st April at The Whitaker, Rawtenstall.
Some amazing work on show from Liam Spencer’s landscape paintings depicting Rossendale and the Whitaker archive and also Alan Birch’s Prospect Printmakers group which displayed 20 Pennine themed prints from the regulars to Alan’s printmaking workshops including my own collagraph print depicting drystone walls.
All prints are for sale. See poster in blog post for further details.
The Pennines exhibition at The Whitaker, Haslingden Road, Rossendale, Lancashire BB4 6RE.
Preview: Saturday 21st April at 2pm to 4pm. All welcome.
https://www.thewhitaker.org/whats-on/2018/4/21/prospect-printmakers-the-pennies










Just added a coat of acrylic varnish to my recent Gelli / matte medium transfer prints. The varnish covers any traces of paper not previously removed from the print.
The prints above depict the Richard Cobden statue on Petersgate.
Cobden was a free trade pioneer and became MP for Stockport in 1841. He lead the anti-Corn law campaign within Parliament.
The 16ft statue which has been in situ since the 1880’s was moved to a new location due to redevelopment of the square.
I have continued to experiment with my gelli printing silcone mat using acrylic paints and plastic stencils which I purchased from a local craft store. The stencils I have used have been very effect in producing monoprints. I used a brayer roller to press the ink onto the acrylic paper without the need of a printing press. The contrast between the background image and the stenciled relief works very well.
I have also produced some more matte medium transfers such as the table lamp and the image of Stockport viaduct take from another angle. The transfers are the hardest to do as there is alot of paper to remove once the matte medium has dried out completely. Plenty of water and ear buds are recommended for this aswell as plastic sheeting and towels. The ear buds are the most effective way to remove the paper layers and reveal the transfer below. Some the transfer will be removed but this adds to the finished effect.
I hope to add some more transfers soon using the stenciled prints shown above.

Here is my second fellow print with matte medium transfer applied.
Title: Stockport Viaduct

Lowry in Stockport (etching aquatint)
Stockport Art Guild 97th Art Exhibition
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