Category: Printmaking

Relief Printmaking

I’ve been busy this month travelling to two different workshops creating new prints.

At the moment, I am working on a reduction lino cut which I started last month which depicts the former Stockport college buildings which are currently being demolished to make way for a new development of housing, a civic building and green spaces.

“Stockport college” (linocut) Test print
“Stockport college” (linocut) Test print
Prints on drying rack at Prospect studio

I visited the college site on Sunday afternoon and saw the aftermath of the first stage of the demolition. I believe the Greek Street building (second photo) is being saved and will be a hub for local businesses.

A few weeks ago, I attended a Japanese woodcut workshop at Green Door printmaking studios in Derby.

https://www.greendoor-printmaking.co.uk/

The 1-day workshop covered the process of taking a sketch or photo and producing a block print from a small sheet of bamboo.

I’ve not covered woodcut printing before so was surprised by the results. To prep the wood printing block, you first sand the surface of the wood with wet and dry and then paint the wood with blue watered-down acrylic paint.

A piece of yellow carbon paper was place on top of the wood block and you trace your pencil drawing on top of that to leave an impression on the surface of the wood to allow you to carve your image. With special woodcutting tools, you then cut using a blade cutter to cut across the grain where needed and then use one of the wide cutting tools to remove the areas of wood block you want staying light.

The wood block is then inked with oil based ink. Sumi paper is used as it’s thin and suitable for woodcut printing.

Preparing the block
Prints
Inking up
“Sycamore Gap” (Japanese woodcut prints)

To transfer the image to paper, you can use either a barren, spoon or the side of your hands to apply pressure. I used a combination of these tools. I also used a book press which did an excellent job. I will definitely have to explore woodcut again. My inspiration for today’s print was the much missed Sycamore Gap.

“Sycamore Gap”

Shopping List: Lino cutting tools

https://www.lawrence.co.uk/pfeil-lino-tool.html

Future plans for prints and history walks

I plan to enter my work in the Derby Open 2024. I’m also planning another photo walk around town which will probably be north of the Mersey.

Further details will be published in the coming months.

Debenhams chine collé print

Drypoint with chine collé

Chine collé is a printmaking method where thin paper is glued onto a thicker paper before printing. This creates a layered effect in the final print.

I use a starch glue called Yamato Nori Starch Paste which you can buy online in 220g green tubes. I would definitely recommend this glue as it transparent and is less messy than PVA.

Yamato Nori starch paste

I also started work on a brand new print this weekend which going to be a Lino print of the former Stockport College building.

Lino plate first line cut

Bury Art Museum visit

Recently, I arranged a visit to the Bury Art Museum and Sculpture Centre with a history meetup group.

After visiting the Fusiliers museum over the road, we made our way to see the Bury Open exhibition which was still showing in the upstairs gallery.

Photo of myself at the Bury Open looking at my Robinsons brewery burnished etching print

The art gallery at Bury has a superb permanent collection of fine art and sculpture such as the painting by JWM Turner entitled “Calais Sands at Low Water, Poissards Collecting Bait”.

Calais Sands at Low Water, Poissards Collecting Bait by JWM Turner

I am currently preparing ideas for future prints while I take a short break from the printing. The photo below shows the remaining prints I will be working on in the coming months for this printmaking project.

I have also been updating the website gallery with my latest prints from the last 12 months. There are now two online galleries. You can access them in the menu navigation.

Next month, I will be attending a 1-day Japanese woodcut printmaking workshop. More to follow on this soon…

Review of 2023 in pictures

Here’s a gallery of prints and images from this year.

My main highlights from this year was having work accepted into The Real Public Art Show (Stockport Open), the first Bury Open exhibition and the 102nd Stockport Art Guild exhibition.

2024 marks 10 years since I started this printmaking project / blog, and in that time I have created a catalogue of printmaking which I am going to present in a future exhibition. The project is not over yet, as I will be producing some new artworks in the coming months. Watch this space 👀

By the way have a happy and relaxing Christmas and here’s to 2024 and more creativity. Cheers 🥳🎄☃️🎇🎁

Dürer exhibition at the Whitworth
The Blossoms
Ghost sign
The Real Public Art Show
Bury Open exhibition
Vernon Park
Rileys Pool hall
Rileys Pool hall
Rileys Pool hall
Edgeley Park
Rileys Pool hall
Lark Hill
Rileys Pool hall
102nd Stockport Art Guild exhibition
Robinson’s brewery

Blossoms pub etching taking shape

I recently started work on a new etching on the theme of pubs in Stockport as part of my printmaking project. The new print depicting The Blossoms pub which incidentally is opposite the old pool hall building which I mentioned in my last blog post.

Printing plate ready for aquatinting.

I might use this print for the upcoming 20:20 print exchange or I might do a brand new linocut instead.

On Saturday, I was due to take part in a Japanese woodcut 1-day workshop down in Derby at Green door studios. The workshop has been rescheduled for later this year due to illness. I hope to do a blog post in late October. I have never done any woodcut prints before so the wait will be worth it.

I am also continuing to work on my Vernon Park Linocut depicting a carved stone bench which I printed the second colour last week. Today I carved away a third layer which will be a light brick colour. I will show the results in my next blog post.

In mid May, I visited the capital London and spent a couple of hours in the British Museum. The museum is free and there are rotating exhibitions in the main forecourt building which you have to book for. One of the free exhibitions was the Japan’s festival float on the ground floor in Room 3 gallery as you enter the museum on the right hand side of the entrance. Apart from the beautifully crafted wooden model boat which was donated back on 1908 for the Summer Olympics, there were some amazing woodcut prints on display. I would recommend this place as a day out if you are visiting London as a tourist, lots to see.

Visiting the British Museum recently.

Printfest Ulverston

I visited Printfest on a day trip yesterday afternoon. The weather was good as I drove up the M6 towards the Lake District. Printfest is an annual print festival held in the quaint market town of Ulverston at the Coronation Hall celebrating contemporary handmade prints.

Coronation Hall, with Laurel & Hardy statue in the foreground.

I chatted to a number of printmakers while I visited the festival including printmaker and friend Pete Marsh who was participating in the festival.

Printfest 2023.

I also had a chat with the owners of a new print studio just opened in the town called Printshare Lakes which runs printmaking workshops based at premises on Queen street in the town. Printshare runs workshops such as in paper lithography, mono print, collagraph, drypoint and linocut.

Printfest 2023.
‘Kynance light’ by Hazel McNab

After visiting the festival, I headed back along the A590 stopping off with my parents for a pub meal at the Hare & Hounds in Levens village.

Sir John Barrow Monument, Ulverston