Workshops

August has been a busy month for me and it’s not over yet.

On Sunday 10th August, I helped my friend out at an Intaglio printmaking workshop organised by Stockport Art Guild.

Alan Birch was running a 3 hour drypoint session at Stockport War Memorial Art Gallery with approximately 15 participants. I was in charge of preparing the paper ensuring it was damp enough and blotted and ready for being printed. The prints created that day were of high quality and there is the possibility of running some more workshops.

A week later on Sunday 17th, I had my chance to run my own workshop at the art gallery which was demonstrating how to create Eco Image Transfer prints.

The 2 hour session went well and participants created some interesting work on cartridge paper, Balsa wood and Fabriano paper. The purpose of the workshop was to introduce this mono printmaking technique using household objects and materials.

I included a photo of the art gallery as a printing subject as it tied in well with the centenary celebrations of the war memorial and art gallery.

Last weekend, I visited the heritage centre based inside St. Mary’s church at the marketplace. The centre is open every Tuesday and Saturday.

The archive includes many photographs, found objects from archeological digs and books about the history of the town.

I spoke with one of its patrons, Jill Trumble and had a look through some of the photographic archive. I think a repeat visit is on the cards as next month there will be an exhibition on Woodbank hall.

I still have to sign and edition my prints for International Print Exchange and the Hotbed press 20:20.

My IPE submission: ‘Calm’ Eco Image Transfer on Fabriano paper.

The Centenary Open at Stockport War Memorial Art Gallery came to an end on Sunday 24th August and I will be collecting my etching print depicting the Produce Hall this coming weekend.

Me next to my etching print of the Produce Hall.

March update

The month of March has been a busy month for me print wise.

Last month, I was given the opportunity to host a small number of Eco Image Transfer Workshops as part of the Art For All Day event organised by Stockport Art Guild.

The print workshops were in three one hour slots and I demonstrated the simple technique of transferring a laser printed image onto paper, card and wood using a eco cleaning product.

The free workshop offered local residents interested in art, but perhaps with limited experience or opportunities, the chance to engage in a range of practical art activities guided by Stockport Art Guild members.

Check out my article about Eco Image Transfer here.

A few weeks ago, I visited the London Original Print Fair at Somerset House for the day and enjoyed the artwork on show by famous and not so famous artists.

A lot of inspirational prints on show. My favourite artist is Peter Blake.

Last weekend, I continued working on my Mezzotint print of the Viaduct. The print will be used for my entry in this year’s Twenty/Twenty Hotbed Press international print exchange.

I’ve also started work on a new etching which depicts the Pear Mill tower. I have created an initial line etching.

I am currently working on a new series of Eco Image Transfer prints focusing on Woodbank Park, the former Boars Head pub and the Bakers Vaults pub. More to follow in my next blog post.

Printfest Ulverston

I visited Printfest on a day trip yesterday afternoon. The weather was good as I drove up the M6 towards the Lake District. Printfest is an annual print festival held in the quaint market town of Ulverston at the Coronation Hall celebrating contemporary handmade prints.

Coronation Hall, with Laurel & Hardy statue in the foreground.

I chatted to a number of printmakers while I visited the festival including printmaker and friend Pete Marsh who was participating in the festival.

I also had a chat with the owners of a new print studio just opened in the town called Printshare Lakes which runs printmaking workshops based at premises on Queen street in the town. Printshare runs workshops such as in paper lithography, mono print, collagraph, drypoint and linocut.

After visiting the festival, I headed back along the A590 stopping off with my parents for a pub meal at the Hare & Hounds in Levens village.

Pool Hall Gelli Prints

These are two Gelli transfer prints I recently created depicting the abandoned pool hall off the A6. I recommend using the Gelli Arts printing plates which I sourced from a local art shop. Using Photoshop Elements, I created a montage of two photographs taken from one of my recent photo walks and combined them to form a new composition. I converted the images to a high contrast bitmap and then printed them off using a laser printer.

I added a dark coloured water-based ink layer using black ink (you can also use acrylic paint).

I applied a reasonable quantity of ink to the plate using a roller. I then placed a laser print of the building onto the inked surface and lightly pressed on the back of the paper once flat with the palm of my hand a few times trying not to press too hard to ensure the image transferred to the gel plate.

After a 30 seconds of drying, I then applied a new layer of light blue water based ink this time to the gel plate with a roller over the black ink.

I then applied some fresh cartridge paper to the gel plate and rubbed / burnished the back of the paper covering the whole paper to ensure all parts were rubbed using my the palm of my hand and fingers.

Finally, I removed the paper to reveal the finished print. This method of mono-printing can be a little hit and miss. Technique is the key to getting the results you want.

Have a look at the video below which demonstrates the laser image transfer gel printing technique.

Source: Gelli Arts YouTube channel