Author: stockportinprint

I specialize in printmaking especially etching aquatint and my other passion is painting seascapes and landscapes in acrylics. I am also interested in photography and experimenting with digital art. As a starting point, I use a mixture of sketches and photography to create prints and paintings. The artwork and design featured on this web site originates from my school, college and university days and also more recent work that I have created from regular printmaking workshops and art holidays. I regularly exhibit my art in the annual Stockport Art Guild exhibition of which I am a member.

Map of Stockport

Over the weekend, I took part in a large drypoint print workshop with a small group of artist/printmakers.

My objective was to create a large map in drypoint depicting landmarks of Stockport. I had never printed anything larger than about a3 size in print form before and my last large print was a drypoint of the viaduct using a metal plate. This time around, the printing plate would be flexible plastic sheeting which was 75 cm x 55 cm in size.

I decided on the idea of a map sometime ago and knowing that a 2-day large printmaking workshop was going ahead, I ensured I booked a place as soon as I got the notice.

I began by prepping the map by creating a printed template in reverse that I had sourced a day before the workshop. I used a combination of Photoshop Elements and PowerPoint to tile the large map and print off sections onto manageable a4 paper prints so I could tape them together afterwards.

On Saturday, day 1 of the workshop, I added reversed text and images of landmarks which I etched into the plate using etching tools from roulettes to diamond point tools to get different textures and patterns.

Printing plate 75 x 55 cms

I placed the template I had created underneath the plastic printing plate while I etched the design onto the plastic.

The process took me approximately 9 hours to prepare the plate (1.5 days). I had to carefully placed where all the text and images of the landmarks would go.

Finally, on day 2, I could ink up and print my plate with the assistant of my friend Alan Birch, using a large etching press which we had hired out for the day from an artist studio down the road in Waterfoot, Rossendale called ‘Valley Studios’ only a few minutes travel from Prospect Studios.

I created an artist proof print (AP) using cartridge paper and then managed to print off my first good print on Fabriano paper.

I reckon there are another seven prints I could produce from the plate before it wears out.

The process was long and challenging but the results were very pleasing indeed and well worth the time taken.

Here are some photos taken of the printed map.

Map of Stockport (Proof drypoint on cartridge paper)
Map of Stockport (close-up)
Map of Stockport (close-up)
Map of Stockport (close-up of title)

Pyramid print

‘The pyramid’

This is an etching aquatint print I created early on in the project which I seem to have not shared before in this blog.

I used a combination of printing inks with black ink printed first, then leaving the remaining black ink on the plate, I then inked up blue ink and printed again to get the desired effect of deep dark shadows and lines with the black ink and light highlighted areas with blue ink.

Mersey river etchings

On Saturday, I completed my print of the Mersey river and Regent House etching aquatint. Here are two versions of the print; one in black ink and the other in sepia.

  • Mersey river and Regent House etching aquatint print by Neil Robinson
  • Mersey river and Regent House etching aquatint print by Neil Robinson
    Mersey river and Regent House etching aquatint print by Neil Robinson