Hats, prints and a print exhibition

Earlier this month, I visited the newly opened bus interchange in the heart of the town. The bus interchange can be accessed on foot from the main A6 and also a new pathway and bridge not far from the railway station.

Rooftop garden at Stockport Bus Exchange

There’s an oval roof top wall walk way with a tree lined garden and observation deck overlooking the Mersey.

My first impressions of the bus station were good and I liked the roof top garden which is called ‘Viaduct Park’.

Following on from the bus station, I arrived at the newly refurnished Hatworks museum to host a meetup event with my local history meetup group call ‘History Get Together’.

The Hatworks building

The museum explores the international connection with the hat industry. We were lucky to have a tour of the museum and witness the hat making machinery in motion. There’s a gallery of hats on the second floor.

Gallery of hats

From the 1st to 30th June, the Derby Print Open 2024 will be displaying artwork by printmakers from around the UK. The exhibition organised by Green Door Printmaking Studios is dedicated to original hand pulled prints and I am thrilled to have 3 of my etching prints in this year’s exhibition.

DerbyPrintOpen.org

The exhibition is like an art trail with a small number of local venues which are all nearby one another around the town of Derby.

A few weeks ago, I attended an experimental 1-day screen printing workshop organised by Green Door Printmaking Studios.

I decided to use a subject from my printmaking project which I had covered previously as a drypoint. I decided to use a photo of St Thomas’s hospital buildings as the basis of my screen print. The idea was to combined a photographic image, a loose outline sketch of the building, an old map of the town some background sky. I combined these elements to form a colourful illustrative set of unique prints.

Photo of myself at Green Door Printmaking Studios in Derby

The results were impressive and I intend to do more prints in this way.

Next month: Mezzotint printmaking.

Relief Printmaking

I’ve been busy this month travelling to two different workshops creating new prints.

At the moment, I am working on a reduction lino cut which I started last month which depicts the former Stockport college buildings which are currently being demolished to make way for a new development of housing, a civic building and green spaces.

“Stockport college” (linocut) Test print
“Stockport college” (linocut) Test print
Prints on drying rack at Prospect studio

I visited the college site on Sunday afternoon and saw the aftermath of the first stage of the demolition. I believe the Greek Street building (second photo) is being saved and will be a hub for local businesses.

A few weeks ago, I attended a Japanese woodcut workshop at Green Door printmaking studios in Derby.

https://www.greendoor-printmaking.co.uk/

The 1-day workshop covered the process of taking a sketch or photo and producing a block print from a small sheet of bamboo.

I’ve not covered woodcut printing before so was surprised by the results. To prep the wood printing block, you first sand the surface of the wood with wet and dry and then paint the wood with blue watered-down acrylic paint.

A piece of yellow carbon paper was place on top of the wood block and you trace your pencil drawing on top of that to leave an impression on the surface of the wood to allow you to carve your image. With special woodcutting tools, you then cut using a blade cutter to cut across the grain where needed and then use one of the wide cutting tools to remove the areas of wood block you want staying light.

The wood block is then inked with oil based ink. Sumi paper is used as it’s thin and suitable for woodcut printing.

To transfer the image to paper, you can use either a barren, spoon or the side of your hands to apply pressure. I used a combination of these tools. I also used a book press which did an excellent job. I will definitely have to explore woodcut again. My inspiration for today’s print was the much missed Sycamore Gap.

“Sycamore Gap”

Shopping List: Lino cutting tools

https://www.lawrence.co.uk/pfeil-lino-tool.html

Future plans for prints and history walks

I plan to enter my work in the Derby Open 2024. I’m also planning another photo walk around town which will probably be north of the Mersey.

Further details will be published in the coming months.

Debenhams chine collé print

Drypoint with chine collé

Chine collé is a printmaking method where thin paper is glued onto a thicker paper before printing. This creates a layered effect in the final print.

I use a starch glue called Yamato Nori Starch Paste which you can buy online in 220g green tubes. I would definitely recommend this glue as it transparent and is less messy than PVA.

Yamato Nori starch paste

I also started work on a brand new print this weekend which going to be a Lino print of the former Stockport College building.

Lino plate first line cut

Bury Art Museum visit

Recently, I arranged a visit to the Bury Art Museum and Sculpture Centre with a history meetup group.

After visiting the Fusiliers museum over the road, we made our way to see the Bury Open exhibition which was still showing in the upstairs gallery.

Photo of myself at the Bury Open looking at my Robinsons brewery burnished etching print

The art gallery at Bury has a superb permanent collection of fine art and sculpture such as the painting by JWM Turner entitled “Calais Sands at Low Water, Poissards Collecting Bait”.

Calais Sands at Low Water, Poissards Collecting Bait by JWM Turner

I am currently preparing ideas for future prints while I take a short break from the printing. The photo below shows the remaining prints I will be working on in the coming months for this printmaking project.

I have also been updating the website gallery with my latest prints from the last 12 months. There are now two online galleries. You can access them in the menu navigation.

Next month, I will be attending a 1-day Japanese woodcut printmaking workshop. More to follow on this soon…

Review of 2023 in pictures

Here’s a gallery of prints and images from this year.

My main highlights from this year was having work accepted into The Real Public Art Show (Stockport Open), the first Bury Open exhibition and the 102nd Stockport Art Guild exhibition.

2024 marks 10 years since I started this printmaking project / blog, and in that time I have created a catalogue of printmaking which I am going to present in a future exhibition. The project is not over yet, as I will be producing some new artworks in the coming months. Watch this space 👀

By the way have a happy and relaxing Christmas and here’s to 2024 and more creativity. Cheers 🥳🎄☃️🎇🎁

102nd Stockport Art Guild exhibition 2023

I have three of my prints in this year’s exhibition which has its preview today at 2pm. The exhibition is on until 19th January 2024 at Stockport War Memorial Art Gallery.

Strawberry Studios (Etching Aquatint)
192nd Stockport Art Guild exhibition 2023 in association with Stockport Town of Culture.