I have recently been experimenting with Artificial Intelligence tool on my phone and transformed some of my prints into short animated sequences. The results are impressive and bazaar. Sound and music has been added automatically to each clip and on one clip I can hear some dialogue. Take a look below ⬇️
Category: Vernon Park
PrintFest visit
Earlier this month, I visited PrintFest in Ulverston. Founded in 2001, the festival brings together top artists/printmakers from around the United Kingdom who showcase and sell their contemporary prints at Coronation Hall (‘The Coro’). Printmakers also share their practices and learn from each other.
I purchased a large etching print while I was there as an early birthday present for my mum.

While at the event, I met up with my artist friend Pete Marsh who was one of the artists exhibiting.
The festival provides visitors the chance to chat with the artists and to attend workshops to learn about the art of printmaking.
A week later, I meet up with Pete at his new artist studio at the Falcon Mill Artist Studios and Gallery (FaMAS) open studios event in Bolton. Pete initially setup the FaMAS studios in 2011. The artist studios have increased in numbers since I last visited. There are now 40 studios at the mill.
I purchase one of Pete’s etchings of a horse rider while I was at the open studio event.

The following weekend, I along with a group of friends visited the Portland Basin museum in Ashton-Under-Lyne. I spotted a Letter press machine in one of the shop recreations inside the museum.

The museum on two floors and is a fascinating and well laid out space. The museum backs onto the Ashton canal and there is a chance to go on a short canal trip.

A few weeks ago, I met with a member of staff from Stockport War Memorial Art Gallery who gave me information on the upcoming Centenary Open Exhibition to be held at the gallery next month in celebration of the war memorial art galleries 100 years. I decided to visit my favourite picture framer to get some of my prints ready for future exhibitions. According to the rules, you can only submit one artwork.

Last week, the walking group that I am a member of organised an evening walk of 4 miles around Vernon Park and Woodbank Park.

The walk has given me inspiration to produce a series of Eco Image Transfer prints based on these two local parks. Here is a selection of my prints below.












In a few months, I plan to host another Eco Image Transfer workshop at Stockport Art Gallery similar to the recent Art for All Day.
As part of my study of Woodbank Hall, I made a sketch of the buildings exterior.

I hope to combining my sketch with Eco Image Transfer technique.
I recently purchased an a4 Pooki relief press which I will be using at home to produce new Lino prints.

As another month closes, I look forward to the next few months and more printmaking in the works and maybe another photo walk around town perhaps.
Cheers for now.
Review of 2023 in pictures
Here’s a gallery of prints and images from this year.
My main highlights from this year was having work accepted into The Real Public Art Show (Stockport Open), the first Bury Open exhibition and the 102nd Stockport Art Guild exhibition.
2024 marks 10 years since I started this printmaking project / blog, and in that time I have created a catalogue of printmaking which I am going to present in a future exhibition. The project is not over yet, as I will be producing some new artworks in the coming months. Watch this space 👀
By the way have a happy and relaxing Christmas and here’s to 2024 and more creativity. Cheers 🥳🎄☃️🎇🎁















Vernon Park Linocut update
I printed the last colour on the Vernon park bench linocut recently. I added a light grey ink to the inset panels on the bench. Scroll down to view the different colour layers and the final print.





Linocut and etching work in progress
Today, I have been continuing to work on two plates; a Linocut based on a Vernon Park and an etching of The Blossoms pub.

(A4 Reduced Linocut)
I started work on the linocut this morning by removing small sections all over the linoleum sheet in preparation for a new layer colour. I decided to add a mix of burnt umber, white and yellow to create a sandy colour. I reckon I have at least 2 more colours left to print which I will be adding soon which will be light green ink for the foliage and highlights on the bench possibly white ink.
After lunch, I continued to work on another print this time an etching depicting The Blossoms pub. One issue from last time working on this print is that I discovered while printing a proof of the etching, there was a white spot on the print where the aquatint had for some reason been removed. As you can see in the photo below of the test print, this was very noticeable on the print, so I had to remedy this before I could continue printing.

‘The Blossoms’ (Etching Aquatint)
I added aquatint resin again to the plate and then using stop out, I covered all the plate apart from the section where the blemish was located. The dark section on the print is where I left the plate exposed to the strong acid for 5 minutes. I then printed another proof and the result is shown in the photo below.

I then worked on burnishing the plate to lighten areas where required. In my next blog post I will show the finished print.
Crowther’s family gift linocut
Here is the latest print I have been working on recently which is a reduction linocut depicting a quirky stone bench located in the rose garden of Vernon park. More prints to follow soon…

Vernon Hall print
Last weekend, I started work on another. Enron park related print. This time, I created a dry point print of Vernon hall using a technique to blend colours on the printing plate.

The technique I use is to add blocks of coloured ink to the areas such as the lawn in the foreground. I do this for each area adding small amounts of ink used by a fine small paint brush. I then use scrim cloth to remove excess ink and then blend the ink by lightly going across the paint in a horizontal direction right to left (as I am left-handed). I then remove any further ink with tissue paper. I try and leave some excess ink in small areas to add some contrast. I then print the plate running it through the press at least once.

I created a number of prints from coloured blends to sepia and using black ink. See gallery below.




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