I delivered two of my etching prints earlier today to go on display at the Grosvenor Museum in Chester early next month for the 15th Open Art exhibition. I’m looking forward to attending the preview on Saturday 8th February.
15th Open Art Exhibition
Category: Stockport
Mezzotint print
I started work on a small mezzotint print on Friday. I am using a gelli print of the viaduct as my inspiration. My first test print shows a faint outline of the viaduct. I am using a pre-rocked copper plate about 10 x 7.5 cms.
I initially used a mezzotint etching tools to etch the plate which looks a bit like a fountain pen. The end of the tool is a diamond shape and allows for precise mark making. I then used an etching tool and scraper.
I completed my etching of the Produce Hall yesterday and did some burnishing of the plate to highlight the path in the foreground. I also did some dry point on some of the features of the building.
By the way, here’s wishing all my followers a Happy and creative New Year!
The Produce Hall print
I am currently working on a print depicting the Produce Hall which is located in the marketplace in Stockport. I will continue with my work on the print after Christmas.
I recently had some good news. Two of my Stockport series of prints have been accepted into the Grosvenor Museum’s 15th Open Art Exhibition in the new year. Feeling chuffed 😀
Graphical interpretations
As October draws to an end and the nights are getting shorter, I am writing this latest article on Halloween. Over the last few weeks, I have been busy documenting the last batch of print subjects of Stockport landmarks I need to complete the project. I’ve got a decent selection of images to use for future prints.
A few weeks ago, I attended a drawing and printmaking workshop in Stockport organised by Stockport Art Guild entitled ‘Graphic interpretation of Stockport landmarks combined with print’. The workshop was organised by the owner of the Art Club in Heaton Moor by former textiles designer Angela Lock.
I decided to create an artwork depicting the Plaza with a starry sky. The process involved creating landmarks drawn on cartridge paper in a simplistic monochromatic style. Once the drawing had been made, a larger piece of paper was then printed on using polystyrene thin sheets backed with card using water based ink. One of the printing blocks I used had a start pattern which I felt was a suitable background for the artwork.
After the event, I decided to donate my contribution to the gallery for all to see.
The finished results are shown in the photo below.
One final note, congratulations to Prospect Studios which celebrated its 20th Anniversary last weekend.
Starting a new etching
Yesterday, I began work on a brand new etching for the project. My subject this time is the Produce Hall at the Marketplace. More on this print next month.
Last week, I received a lovely surprise in the post from Green Door Studios. An edition of 10 unique prints from around the world such as Japan, Australia and closer to home. I entered the International Print Exchange #16 with a dry point I’d printed on my home press last month (see last month’s blog post).
On Saturday evening, I was invited with my mum to the ‘Portrait of Stockport’ exhibition at Stockport War Memorial Art Gallery by artist Helen Clapcott.
The exhibition shows Helen’s paintings that depict post industrial landscapes of the town of Stockport in a dream like Lowryesque quality. I was impressed by the detail in the work which were painted in egg tempera. The work covers a long period and show the town has changed over the years with the loss of mill buildings that were in abundance in the not too distant past.
I enjoyed the exhibition and loved the paintings and seeing familiar landscapes and buildings and the humour in the work.
Stockport College lino cut
4-colour reduction lino-cut (proof print)
Relief Printmaking
I’ve been busy this month travelling to two different workshops creating new prints.
At the moment, I am working on a reduction lino cut which I started last month which depicts the former Stockport college buildings which are currently being demolished to make way for a new development of housing, a civic building and green spaces.
I visited the college site on Sunday afternoon and saw the aftermath of the first stage of the demolition. I believe the Greek Street building (second photo) is being saved and will be a hub for local businesses.
A few weeks ago, I attended a Japanese woodcut workshop at Green Door printmaking studios in Derby.
The 1-day workshop covered the process of taking a sketch or photo and producing a block print from a small sheet of bamboo.
I’ve not covered woodcut printing before so was surprised by the results. To prep the wood printing block, you first sand the surface of the wood with wet and dry and then paint the wood with blue watered-down acrylic paint.
A piece of yellow carbon paper was place on top of the wood block and you trace your pencil drawing on top of that to leave an impression on the surface of the wood to allow you to carve your image. With special woodcutting tools, you then cut using a blade cutter to cut across the grain where needed and then use one of the wide cutting tools to remove the areas of wood block you want staying light.
The wood block is then inked with oil based ink. Sumi paper is used as it’s thin and suitable for woodcut printing.
To transfer the image to paper, you can use either a barren, spoon or the side of your hands to apply pressure. I used a combination of these tools. I also used a book press which did an excellent job. I will definitely have to explore woodcut again. My inspiration for today’s print was the much missed Sycamore Gap.
Shopping List: Lino cutting tools
https://www.lawrence.co.uk/pfeil-lino-tool.html
Future plans for prints and history walks
I plan to enter my work in the Derby Open 2024. I’m also planning another photo walk around town which will probably be north of the Mersey.
Further details will be published in the coming months.
Debenhams chine collé print
Chine collé is a printmaking method where thin paper is glued onto a thicker paper before printing. This creates a layered effect in the final print.
I use a starch glue called Yamato Nori Starch Paste which you can buy online in 220g green tubes. I would definitely recommend this glue as it transparent and is less messy than PVA.
I also started work on a brand new print this weekend which going to be a Lino print of the former Stockport College building.
Debenhams store
Started a new print yesterday, which is a drypoint of the now closed Debenhams store.
Continued working on my etching of the Robinsons brewery and created 5 prints on Fabriano paper.
Review of 2023 in pictures
Here’s a gallery of prints and images from this year.
My main highlights from this year was having work accepted into The Real Public Art Show (Stockport Open), the first Bury Open exhibition and the 102nd Stockport Art Guild exhibition.
2024 marks 10 years since I started this printmaking project / blog, and in that time I have created a catalogue of printmaking which I am going to present in a future exhibition. The project is not over yet, as I will be producing some new artworks in the coming months. Watch this space 👀
By the way have a happy and relaxing Christmas and here’s to 2024 and more creativity. Cheers 🥳🎄☃️🎇🎁
Stockport In Print 
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