Eco Image Transfer prints

On a very cold Saturday morning, I drove down to Green Door Printmaking Studio in Derby to attend a half day Eco Image Transfer Taster workshop.

The process to create the eco image transfer prints is pretty straightforward to achieve.

The method consists of using concentrated Citra Solv natural cleaner degreaser which you can buy online and mono laser printed designs preferably printed on off-white recycled office paper.

Citra Solv cleaner degreaser — Citrasolv (236ml)

The basic process is to place the laser print face down on the paper or wood of choice. You then fix the laser print into position with masking tape. I then applied to the back of the laser print the Citra Solv solution with a medium sized brush. I then rubbed the back of the laser print with a soft HB pencil with firm pressure. This results in the image on the laser print transferring to the chosen print material such as cartridge paper Fabriano paper or bamboo.

You can let your imagination run wild and come up with surreal and original images.

I used a series of copyright free image supplied at the workshop and combined them together to create new compositions.

You can prepare a design in advance using photo editing software and then print out copies to use to print editions.

Note: Text will needto be reversed on the laser print before you transfer the image.

Below is a gallery of prints I created on the day.

Published prints

I am thrilled to have my etching prints published in a book which celebrated the Derby Print Open 2024 exhibition which was held last month.

Derby Print Open Exhibition

I managed to visited the Derby Print Open exhibition recently to view the amazing printmaking at various venues around the city of Derby on a warm and sunny afternoon.

While visiting the exhibition, I spotted one of my etching prints at the nearby Dubrek music recording studios next door to Green Door Printmaking Studios.

It was great seeing my own artwork in the exhibition and I also purchased a high quality exhibition catalogue which featured all the prints in the show. The exhibition has closed today and I will be returning to collect my prints in the coming weeks and also visit some of the museums in Derby town centre such as the Museum of Making.

Bye for now.

Hats, prints and a print exhibition

Earlier this month, I visited the newly opened bus interchange in the heart of the town. The bus interchange can be accessed on foot from the main A6 and also a new pathway and bridge not far from the railway station.

Rooftop garden at Stockport Bus Exchange

There’s an oval roof top wall walk way with a tree lined garden and observation deck overlooking the Mersey.

My first impressions of the bus station were good and I liked the roof top garden which is called ‘Viaduct Park’.

Following on from the bus station, I arrived at the newly refurnished Hatworks museum to host a meetup event with my local history meetup group call ‘History Get Together’.

The museum explores the international connection with the hat industry. We were lucky to have a tour of the museum and witness the hat making machinery in motion. There’s a gallery of hats on the second floor.

From the 1st to 30th June, the Derby Print Open 2024 will be displaying artwork by printmakers from around the UK. The exhibition organised by Green Door Printmaking Studios is dedicated to original hand pulled prints and I am thrilled to have 3 of my etching prints in this year’s exhibition.

The exhibition is like an art trail with a small number of local venues which are all nearby one another around the town of Derby.

A few weeks ago, I attended an experimental 1-day screen printing workshop organised by Green Door Printmaking Studios.

I decided to use a subject from my printmaking project which I had covered previously as a drypoint. I decided to use a photo of St Thomas’s hospital buildings as the basis of my screen print. The idea was to combined a photographic image, a loose outline sketch of the building, an old map of the town some background sky. I combined these elements to form a colourful illustrative set of unique prints.

Photo of myself at Green Door Printmaking Studios in Derby

The results were impressive and I intend to do more prints in this way.

Next month: Mezzotint printmaking.

Relief Printmaking

I’ve been busy this month travelling to two different workshops creating new prints.

At the moment, I am working on a reduction lino cut which I started last month which depicts the former Stockport college buildings which are currently being demolished to make way for a new development of housing, a civic building and green spaces.

“Stockport college” (linocut) Test print

Prints on drying rack at Prospect studio

I visited the college site on Sunday afternoon and saw the aftermath of the first stage of the demolition. I believe the Greek Street building (second photo) is being saved and will be a hub for local businesses.

A few weeks ago, I attended a Japanese woodcut workshop at Green Door printmaking studios in Derby.

https://www.greendoor-printmaking.co.uk/

The 1-day workshop covered the process of taking a sketch or photo and producing a block print from a small sheet of bamboo.

I’ve not covered woodcut printing before so was surprised by the results. To prep the wood printing block, you first sand the surface of the wood with wet and dry and then paint the wood with blue watered-down acrylic paint.

A piece of yellow carbon paper was place on top of the wood block and you trace your pencil drawing on top of that to leave an impression on the surface of the wood to allow you to carve your image. With special woodcutting tools, you then cut using a blade cutter to cut across the grain where needed and then use one of the wide cutting tools to remove the areas of wood block you want staying light.

The wood block is then inked with oil based ink. Sumi paper is used as it’s thin and suitable for woodcut printing.

To transfer the image to paper, you can use either a barren, spoon or the side of your hands to apply pressure. I used a combination of these tools. I also used a book press which did an excellent job. I will definitely have to explore woodcut again. My inspiration for today’s print was the much missed Sycamore Gap.

Shopping List: Lino cutting tools

https://www.lawrence.co.uk/pfeil-lino-tool.html

Future plans for prints and history walks

I plan to enter my work in the Derby Open 2024. I’m also planning another photo walk around town which will probably be north of the Mersey.

Further details will be published in the coming months.