Centenary Open Exhibition

I visited the Centenary Open Exhibition at Stockport War Memorial Art Gallery this afternoon with a friend to see my etching print depicting the Produce Hall. In this fantastic exhibition.

The exhibition is worth a visit if you’re in Stockport or nearby.

https://www.stockport.gov.uk/topic/exhibitions-stockport-art-gallery

@stockportinprint

Photo of me with my print

Pear Mill print

“Pear Mill tower”

Last weekend, I was working on my etching print of the tower at Pear Mill. The roof of the tower at Pear Mill is in the shape of a pear. I like the shape of the tower and all the patterns in the brick work. I will continue to work on the print a bit more next month.

I visited my local library the other day and discovered an interesting book written by Steve Cliffe about Stockport

“Stockport History and Guide by Steve Cliffe

The book is a fascinating read and charts the early settlement of was known as ‘Stokeport’ around 1066 up to present day.

Recently I submitted one of my etching aquatints in the Stockport War Memorial Art Gallery Centenary Open Exhibition 2025. I chose the print I created of the Produce Hall.

“Produce Hall” Etching Aquatint

I also heard that there is to be a new exhibition planned for the autumn organised by Stockport Art Guild in Didsbury.

Mezzotint print

I started work on a small mezzotint print on Friday. I am using a gelli print of the viaduct as my inspiration. My first test print shows a faint outline of the viaduct. I am using a pre-rocked copper plate about 10 x 7.5 cms.

Mezzotint plate and etching tools

I initially used a mezzotint etching tools to etch the plate which looks a bit like a fountain pen. The end of the tool is a diamond shape and allows for precise mark making. I then used an etching tool and scraper.

Mezzotint: First test print on proofing paper

I completed my etching of the Produce Hall yesterday and did some burnishing of the plate to highlight the path in the foreground. I also did some dry point on some of the features of the building.

Produce Hall, etching aquatint on Fabriano paper

By the way, here’s wishing all my followers a Happy and creative New Year!

The Produce Hall print

‘Produce Hall’ (Etching Aquatint)

I am currently working on a print depicting the Produce Hall which is located in the marketplace in Stockport. I will continue with my work on the print after Christmas.

I recently had some good news. Two of my Stockport series of prints have been accepted into the Grosvenor Museum’s 15th Open Art Exhibition in the new year. Feeling chuffed 😀

Graphical interpretations

As October draws to an end and the nights are getting shorter, I am writing this latest article on Halloween. Over the last few weeks, I have been busy documenting the last batch of print subjects of Stockport landmarks I need to complete the project. I’ve got a decent selection of images to use for future prints.


A few weeks ago, I attended a drawing and printmaking workshop in Stockport organised by Stockport Art Guild entitled ‘Graphic interpretation of Stockport landmarks combined with print’. The workshop was organised by the owner of the Art Club in Heaton Moor by former textiles designer Angela Lock.

‘Starry Plaza’

I decided to create an artwork depicting the Plaza with a starry sky. The process involved creating landmarks drawn on cartridge paper in a simplistic monochromatic style. Once the drawing had been made, a larger piece of paper was then printed on using polystyrene thin sheets backed with card using water based ink. One of the printing blocks I used had a start pattern which I felt was a suitable background for the artwork.

After the event, I decided to donate my contribution to the gallery for all to see.

The finished results are shown in the photo below.

Finished artworks on display at Stockport War Memorial Art Gallery

One final note, congratulations to Prospect Studios which celebrated its 20th Anniversary last weekend.

Starting a new etching

Yesterday, I began work on a brand new etching for the project. My subject this time is the Produce Hall at the Marketplace. More on this print next month.

Etching plate covered in hard ground wax and ready for acid bite.
Close up: Etching plate covered in hard ground wax.

Last week, I received a lovely surprise in the post from Green Door Studios. An edition of 10 unique prints from around the world such as Japan, Australia and closer to home. I entered the International Print Exchange #16 with a dry point I’d printed on my home press last month (see last month’s blog post).

IPE 2024 Exchange #16 pack.
‘Robin Hood tree’.

On Saturday evening, I was invited with my mum to the ‘Portrait of Stockport’ exhibition at Stockport War Memorial Art Gallery by artist Helen Clapcott.

At the preview of the ‘Helen Clapcott: a portrait of Stockport’.

The exhibition shows Helen’s paintings that depict post industrial landscapes of the town of Stockport in a dream like Lowryesque quality. I was impressed by the detail in the work which were painted in egg tempera. The work covers a long period and show the town has changed over the years with the loss of mill buildings that were in abundance in the not too distant past.

I enjoyed the exhibition and loved the paintings and seeing familiar landscapes and buildings and the humour in the work.