A blog about Stockport landmarks by artist/printmaker Neil Robinson which follows a printmaking project depicting the diverse architectural styles of my hometown both new and old.
Author: stockportinprint
I specialize in printmaking especially etching aquatint and my other passion is painting seascapes and landscapes in acrylics. I am also interested in photography and experimenting with digital art.
As a starting point, I use a mixture of sketches and photography to create prints and paintings. The artwork and design featured on this web site originates from my school, college and university days and also more recent work that I have created from regular printmaking workshops and art holidays.
I regularly exhibit my art in the annual Stockport Art Guild exhibition of which I am a member.
One of my two mix media prints of Stockport has been accepted in this year’s Stockport Open. Will find out Friday (tomorrow) which of my prints made it in. Looking forward to the preview and meeting other artists. Update 13/7/19. My print of the viaduct was accepted into the 2019 Open exhibition. See picture.
Following on from my previous blog post about the viaduct
dry points, I have done a number of new chine-collé prints from the plastic plate
using yellow tissue paper. I decided to use my portable etching press this time
and the results have been amazing. The line is sharp and works well with the tissue
paper. I printed some plain black and white dry points and results were just as
amazing.
Viaduct (Drypoint with chine-collé)
Little underback (Etching Aquatint)
For the first time, I have printed a couple of etching
aquatint prints from a zinc plate using the small Italian press I have at home.
The results are lighter than using a larger more powerful etching press. The
prints look as though there is a mist in the air. I used the plate depicting
the Queen’s Head pub located on Little Underbank in the town. I use a medium
plate oil mixed with black printing ink from Intaglio Printmaker, London.
My next set of prints use a monoprint stencil combined with a colour printed transfer technique called matte medium transfer. I have used this technique before so wanted to experiment further. The subject matter used was Pear New Mill which is a former spinning cotton mill just outside the town centre.
I initially printed abstract blocks of colour mainly greens
and blues using a latex Gelli plate size A5. I then printed a stencilled
pattern onto the same prints using System 3 acrylic paint. The paper stock I
use is Winsor & Newton ‘Galeria’ Acrylic paper (300gsm). This acrylic paper
is very durable and can withstand a lot of abuse especially when removing the
excess paper from the colour transfer. I use acrylic paint because it is water
based but cannot be easily removed and when it comes to rubbing off the excess
paper transfer, the acrylic always holds firm. I also found that traditional
photocopy transfers work just as well as the laser printed transfers.
Pear New Mill (Gelli/Matt Medium print)
Pear New Mill (Gelli/Matt Medium print)
Pear New Mill (Gelli/Matt Medium print)
You still have to be gentle with the colour transfers though.
The transfer will however fall off in small areas of the print but this is
normal and strangely enhances the print in a way that gives it an old photographic
feel. Finally, I used Daler Rowney matt acrylic varnish to seal and protect the
prints.
I have been working on some new plates this week in readiness for printing this Sunday. The two drypoint printing plates I am preparing are on thin plastic which I have etched onto images depicting the old infirmary and the railway viaduct.
On the viaduct plate, I have used a combination of gesso, PVA glue and superglue to build up texture which should hopefully give some interesting results when printed. I hope to use the chine collé method to add colour to the prints with magazine print and coloured tissue paper.
I have inserted a short video clip and some photos of the drypoint plates in this post.
This evening I attended a very enjoyable entertaining and fascinating history show hosted by historian and tv presenter Dan Snow. Stockport was mentioned in the second half of the show such as the railway viaduct, Stockport’s hat industry, the air raid shelters and the Plaza theatre. The Plaza has an amazing interior.
My stall at the Manchester Print Fair in the Hatworks museum, Stockport went very well yesterday. I sold quite a few prints, cards and bookmarks. Here are some photos of my stall. I even managed to create a screen print.
I will be selling a variety of printmaking at the Manchester Print Fair on Saturday 2nd February from 10am to 4pm. The venue is at the Hatworks museum, Wellington Mill, Wellington Rd South, Stockport SK3 0EU.
I travelled to Bolton, Lancashire yesterday to see my etching aquatint print in the 20:20 Hotbed Press print exhibition at the neo:gallery. My print depicts the Redrock complex as previously posted. Print groups as far as Russia, Canada, Iceland, Hong Kong and Ireland have taken part this year. Interested printing groups can take part by contacting Hotbed Press at their website.
The touring exhibition contains work from 577 printmakers and between them they produced 14,425 handmade prints!
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